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Archive for the 'Orange Pop' Category

Santa Ana’s Observatory rises from the ashes

June 10th, 2012, 9:02 pm by

Four years ago, the Galaxy Concert Theatre was an empty shell.

The 550-capacity music venue off Harbor Boulevard on the southern edge of Santa Ana, which had hosted stars ranging from Beck to Little Richard, shut its doors after years of decline, prompting one patron to remark, “I’m surprised it didn’t fall down before it closed down.”

The Galaxy reopened the following year, but over the past 10 months the once-decrepit club has experienced a rebirth, with new ownership, a new name and a new knack for booking top up-and-coming acts.

Local businessman and Costa Mesa native Jon Reiser, along with partner Courtney Michaelis, took over the Galaxy last August. They rechristened it the Observatory in the fall, after undertaking a complete overall of the structure, including the installation of hundreds of thousands of dollars worth of sound and lighting equipment put in by the company that does light and sound for the annual Coachella and Stagecoach festivals.

Click here to see a photo slideshow of what the Observatory looks like now.

Since then, the owners have repaved the parking lot, repainted walls, replaced floors, reupholstered booths and cleared out free-standing tables to provide better visibility of the stage. They also created a smaller venue-within-a-venue, a 300-capacity space with a substantial stage dubbed the Constellation Room, where smaller touring acts and local bands perform.

The marquee still reads the Galaxy Concert Theatre, though it is covered by a small banner with the new Observatory logo, Reiser says that is just one of many outside renovations yet to be finished. In the coming months the building, which Reiser and Michaelis are in escrow to purchase, will be repainted and its old maroon awnings will be torn down.

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Interview: Thrice says farewell … for now

June 8th, 2012, 7:02 am by

After a 13-year run, Orange County rock band Thrice is going on hiatus following a slew of farewell tour dates that kick off next week. June 14-15 find them at a very familiar stomping ground, House of Blues Anaheim. June 16 they drive to Los Angeles to play Club Nokia in the L.A. Live complex. Then they say goodbye with two shows, June 18-19, at a different home county venue, the Observatory in Santa Ana. Every show is sold out.

In November, a post went up on the band’s website, a statement from vocalist and guitarist Dustin Kensrue, stating: “Thrice is not breaking up. If nothing has broken us up by now, I doubt anything ever could. However, we will be taking a break from being a full-time band and the upcoming tour in the Spring will be the last one for the foreseeable future.”

Kensrue went on to share his reasons for desiring a breather from the music industry, chiefly that leaving for extended periods of time to tour has been taxing on his wife and young daughters, and that during the hiatus he plans to continue working as a worship director at Mars Hill Church, somewhat ironically held (during daylight and off hours) in the same space as the Observatory, formerly the Galaxy Theatre.

Since the bad news was delivered by Kensrue alone, some have been wondering: How does the rest of one of the most successful bands from (and still in) O.C. this past decade feel about the temporary disbanding?

“It wasn’t necessarily a group decision,” bassist Ed Breckenridge told me during a recent phone interview, “but it’s a decision that we all understand. Dustin is having a third child, and so he is feeling the stress of that and obviously he wants to put family first, and we’re all going with that and supporting him. Sadly, that means giving up something that’s pretty unreal and amazing. But you have to weigh priorities and we have to honor that.”

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Orange Pop: Robert Jon & the Wreck break out

May 30th, 2012, 6:18 pm by

Robert Jon & the Wreck may be new around these parts, having formed a little more than a year ago. But the blues-rock quintet has not only developed a growing local fan base, they’ve hit the road and already attracted admirers from across the country.

Vocalist and guitarist Robert Jon Burrison, drummer Andrew Espantman, bassist Derrick Wong, guitarist Kyle Michael Neal and keys player Steve Maggiora embarked on a do-it-yourself-style tour in a van for two months last summer.

“We have two captain chairs and a bench seat for five guys,” Burrison explained during a recent phone interview. “It was so crammed – us plus all of our equipment. It worked out, even though we realized that we had to live inches away from each other at all times. But we all got along.”

The band left O.C. bound for Seattle, Denver, Chicago, Boston, Georgia – and made lots of friends in Omaha, where they’ve been invited back several times since their first appearance.

Check out Robert Jon & the Wreck’s “Back Around” in the video below.

YouTube Preview Image

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Orange Pop: BLOK spices things up

May 24th, 2012, 12:32 pm by

For local musicians Damien Blaise, Jesse St. John and Gianna Gianna, music has become a family business.

The tight-knit sibling trio is behind one of the more unique acts to emerge from behind the Orange Curtain in recent years, taking the local scene by storm with rapid-fire hip-hop lyrics, loud and varied electronic beats, and wild performances. Under the moniker BLOK, they bring it hard on stage, sporting cutting-edge outfits that incorporate vintage, street and high-fashion style, and indulging sporadic movements typically developed in the moment, not rehearsed.

Click here to see more photos of BLOK from our photo shoot.

Since its inception four years ago, BLOK has gone on to headline various local venues and found itself welcomed with open arms. The group’s style doesn’t always fit what’s dominant in the current scene, yet the threesome often winds up appearing on nights heavy on indie rock.

“It’s about bringing those new concepts into areas where those concepts don’t exist,” Blaise explains during a break from a recent photo shoot at the Register. “That’s a big goal of this project – with all of my projects, period – is to bring concepts into something that doesn’t necessarily incorporate that concept typically.”

“When we’re making (music), we don’t necessarily consider the ‘target audience’ or how it will get reacted to,” St. John adds. “We have a vision and we’re excited to express it. We don’t think of it comparatively melding into a certain scene or a certain sound – it’s our art, it’s what we want to express. Anywhere we go, we’re doing something that’s unique to us and organic to us … we don’t fit exactly anywhere.”

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Orange Pop: Red9 rises in international contest

May 17th, 2012, 7:30 am by

It’s not every day that music industry heavy hitters like Fergie, Natasha Bedingfield, Grateful Dead legend Bob Weir, former MTV host Matt Pinfield and various other multiple award-winning artists, producers and industry executives zero in on judging unsigned music. Local rock trio Red9 currently has the attention of all of these judges and more as it enters the final round of the international John Lennon Songwriting Contest.

The group’s track “All They Reign” has made it through two rounds in the rock category of the annual contest and the group has collected more than $8,000 in prizes, including studio equipment from brands like Roland, Boss, Audio-Technica, Gibson, Epiphone and Propellerhead.

The band was notified on May 1 that it would go up against artists in the 11 other genre categories for the Song of the Year award, which would score Red9 $20,000, an Avid prize pack, a mixer and pair of studio monitors from Mackie, plus a $1,000 scholarship to the Digital Media Academy.

“We found out we won the first round the day before the OC Music Awards in March,” vocalist and bassist Jeff Lyons says. “We knew we had no hope of winning anything at the awards based on the competition, so receiving that was awesome and made everything OK.”

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Orange Pop: Suburban Legends celebrate their ‘Day Job’ with sixth album

May 9th, 2012, 8:52 am by


For long-running Orange County ska act Suburban Legends, music has truly been a labor of love, which is why the title of the group’s latest release, Day Job, is all the more appropriate. Formed in 1998 in Huntington Beach, the Legends have gone through numerous personnel changes and experienced a few tragedies. Yet, through it all, they’ve stuck around, continued to tour the globe and put out six studio albums.

Day Job is the first full-length effort from the band since 2008’s Let’s Be Friends and Slay the Dragon Together. It officially came out April 3 but was commemorated with a sold-out record-release show last week at Chain Reaction in Anaheim.

For vocalist Vincent Walker and drummer Derek Lee Rock, the small all-ages venue seemed like the perfect place to party since it’s essentially where Suburban Legends got their start. Both players agreed during a recent phone interview that it felt very nostalgic – like they’ve come “full circle” – to celebrate so intimately with loyal hometown fans, many of whom stuck around to chat and snap photos with the band.

Click here for a photo slideshow of Suburban Legends CD Release Party.

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Orange Pop: Pennywise bets ‘All or Nothing’ on new singer Zoli Téglás

May 3rd, 2012, 7:09 am by

Life is good for Zoli Téglás. Though still frontman for long-running O.C. hardcore act Ignite, in 2010 he was given the opportunity of a lifetime when he was invited to become the new lead singer for seminal Southern California punk band Pennywise.

The Hermosa Beach quartet formed in 1988, eventually toured the globe too many times to count and released nine studio albums. But in 2009 vocalist Jim Lindberg left the group to spend more time at home and forge a new band, the Black Pacific. Téglás knew he had big shoes to fill, especially considering how intensely devoted Pennywise fans are. For them, that isn’t just a band, it’s a lifestyle.

“It took me a good two years,” Téglás says about getting into the Pennywise mindset. “That’s why we didn’t come out with an album right away – I had to live Pennywise (first). I didn’t want to fake it in the studio.

“Jim is a friend of mine and he’s a very nice guy, and I respect him greatly as a musician and he’s a great songwriter. I asked for his permission to be in this band and he gave it to me – he passed the torch. So when I got in, I wanted to make sure that I understood what my responsibilities were on stage with this band. I couldn’t just stand there and sing the songs.”

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Orange Pop: Ultimate Bearhug releases full-length debut this weekend at Hotel Cafe

April 26th, 2012, 7:01 am by

For Orange County-based duo Barrett Johnson and Doll Knight, better known as the folk act the Ultimate Bearhug, the recording of their debut full-length was truly a labor of love.

“It does feel like the longest relationship I’ve ever had in my life,” says Knight, a 21-year-old who is now as highly regarded in local circles for her sweet, songbird vocals as Johnson is for his songwriting.

Their album, Just South of Los Angeles, officially arrives Saturday during the pair’s release party at the Hotel Café in Los Angeles. It was produced by Dallas Kruse, owner and mastermind of Zion Studios in Santa Ana, who also plays accordion, mandolin and Hammond organ on several of the tracks.

“It’s a great feeling knowing that these songs are going to be out,” Kruse says of the new set. “I’m a huge fan of not only Doll’s voice, because I think she’s a supreme talent, but the songs. I think lyrically and melodically, it’s such a great feel-good album, and an album to fall in love to and in love with. It’s great how everything came together, and now it’s on to the next step- we’ve got to go out and get people to know that there’s a record.”

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Orange Pop: Kidneys issue sophomore album

April 4th, 2012, 2:00 am by

Clearly one band just isn’t enough for multi-instrumentalist Brooks Wackerman.

The 35-year-old Long Beach resident is best known as full-time drummer for seminal punk band Bad Religion, yet he has several other projects underway, including anchoring both the Jack Black/Kyle Gass musical-comedy act Tenacious D and long-running Huntington Beach quartet the Vandals whenever their main time-keeper, Josh Freese, is busy with his other bands, be it A Perfect Circle, Devo or Weezer.

On top of all of that (and stepping in for studio session work as needed), Wackerman, above right, has his own group, Kidneys, for which he steps out from behind the kit to strum guitar and sing. He also writes all of the songs, and for the band’s 2008 debut, he played most of the instruments and recorded the effort on his own.

Now, bassist John Spiker (also with Tenacious D) and drummer Todd Henning (formerly of O.C. metal outfit Death by Stereo) have joined Wackerman for Kidneys’ latest release, Hold Your Fire, due April 10. The trio is celebrating with a release party at the Slidebar Rock-N-Roll Kitchen in downtown Fullerton this Friday, April 6, with support from another side outfit, the Kyle Gass Band.

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Orange Pop: The Devious Means release second EP

March 27th, 2012, 7:48 pm by

In late 2009, vocalist/guitarist Christopher Faris, his brother and guitarist Andrew Faris and drummer Jason Mize began laying the groundwork for what would become O.C. indie rock act the Devious Means. Bassist Megan Polendo joined the group after hearing some demos, and quickly following a few other keys players, Rachel Anderson joined in August 2010.

“It was perfect chemistry,” Christopher Faris says during an interview alongside Anderson earlier this week. “Everything just kind of came together.”

Inspired by acts like Yeah Yeah Yeahs, the Dead Weather, the White Stripes and the Cure, the quintet began rehearsing together and by October of that year played its first show. Come March 2011, the band finished its first EP and celebrated with a release party at Bootlegger’s Brewery in Fullerton, packing the venue with more than 400 fans. (“We basically took over their storehouse area,” Faris says.)

Now, just one year later, the Devious Means are preparing for the arrival of their second EP, Songs We Are All Singing, which officially drops Friday at House of Blues Anaheim. For this release party, Faris says the promoters were kind enough to allow the band to completely control of the program.

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