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Review: Nicki Minaj shines but lacks show flow despite help from Tyga, 2 Chainz at Nokia Theatre

August 9th, 2012, 2:50 pm by

Toward the end of her gig Wednesday night at L.A. Live’s Nokia Theatre, Nicki Minaj admitted she’d had some pre-show jitters after waking up hoarse the morning of the show, which already had been rescheduled from Aug. 5.

“All I could think about was the headlines: ‘Nicki Minaj moves, then cancels L.A. show,’” she told the capacity crowd, beaming at their adoration. “But you know what? It’s the love in this room that brought my voice back, so thank you very much!”

Given that her vocals were sharp from the get-go, that couldn’t have been totally true. Yet it was an appropriately complimentary sentiment for her Southern California fans, who reacted with glee no matter what the female rapper/singer chose to perform, be it scattered verses of hardcore hip-hop or her more prominent electro-pop flavored tunes as of late.

Minaj’s giving attitude was prevalent throughout the night, likely because, following a high-profile appearance at KIIS-FM’s Wango Tango at Home Depot Center in May, this was her first headlining concert in L.A. That led to a longer than usual set for this third-to-last date of her Pink Friday world tour, topped by quite a few extras to reward supportive admirers.

Those special nuggets included a guest spot from rapper 2 Chainz (who also opened the show) on the hard-hitting “Beez in the Trap” plus surprise verses from Sean Kingston (for the Rasta-toned “Letting Go”) and Young Money star Tyga as part of the finale.

Read more on Nicki Minaj’s performance on the Soundcheck Blog.

Photos by Kelly A. Swift, for the Orange County Register; Article by David Hall, for the Orange County Register.

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Review: Steel Pulse, Dirty Heads rock steady at Pacific

July 30th, 2012, 7:25 am by

So often at reggae shows, artists rely on cover songs – typically, at least one Bob Marley tune – to keep the audience hyped. That’s not a negative criticism. Many of the songs chosen are timeless and resound with good vibes each and every time.

That said, it was genuinely refreshing to witness sets on Friday at Pacific Amphitheatre from two groups – Huntington Beach mainstays the Dirty Heads and classic British roots reggae outfit Steel Pulse – comprised entirely of original material.

Though the Heads are budding stars, with only two albums (their latest, Cabin By the Sea, arrived last month) compared to Steel Pulse’s 11 discs spanning 35-plus years, the Orange County locals’ show garnered such an enormous turnout of early-bird fans that, in all fairness to the bill-topping vets, this event should have been sold as a co-headlining gig.

Click here for a photo slideshow of fans and performances.

Things didn’t look that way at first, however: two songs into the Dirty Heads set, not many seats were filled, which visibly frustrated frontman Jared “Dirty J” Watson.

“It feels great to be home, but there’s one problem,” he said, pausing briefly before yelling, “there are too many people sitting down! Did you guys come to party or what?!”

That exclamation certainly did the trick. Throngs of folks stood up to belt out the following two cuts, “Neighborhood” and “Stand Tall,” with hundreds more streaming into the venue and joining in wholeheartedly for new tracks “Disguise,” “Cabin by the Sea” and “We Will Rise,” among others.

Read more on Steel Pulse and the Dirty Heads on the Soundcheck Blog.

Photos by David Hall, for OrangeCounty.com.

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Review: Talib Kweli adopts jam-band tactics at Observatory

July 23rd, 2012, 4:51 pm by

Local hip-hop heads likely got more than they bargained for during rapper Talib Kweli’s headlining performance on Sunday night at Santa Ana’a Observatory.

Normally, Kweli performs with a simple setup: the standard two-turntable DJ and one microphone for himself. For this tour and gig, the old-school rhyme-smith was flanked by full band – keyboards, guitar, drums, bass and DJ – that enhanced his stage presence tenfold.

Click here for a photo slideshow of Talib Kewli’s performance and fans.

With these talented gentlemen in tow, the concert felt much like a classic showcase from the legendary Roots crew, complete with enriched beats on well-known cuts such as “I’m On One” and “Distractions,” plus intermittent jam sessions and a few impressively enlivened cover songs.

Among those borrowed tunes, highlights included Kweli’s cover of the Beastie Boys’ “No Sleep till Brooklyn” (played here as the set’s opener dedicated to late member Adam Yauch aka MCA), a fun-loving, fully-improvised run-through of Tyga’s “Rack City” and a snippet of the Beatles’ “Eleanor Rigby,” which served as the sing-along-worthy hook to his Kanye West-produced track, “Lonely People.”

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Review: Matisyahu, Katchafire bring reggae jams to Pacific

July 16th, 2012, 1:20 pm by

In an interview on Time magazine’s website this morning, Jewish rapper and reggae artist Matisyahu had this to say about his evolving faith: “I don’t really know if I would consider myself anything in particular. I would say I’m inspired in a Hasidic way but I certainly don’t keep all the customs and rules I once did.”

There was evidence enough of that transformation during his Sunday night performance at Costa Mesa’s Pacific Amphitheatre, where the performer appeared sans yarmulke, long beard or forelocks, instead looking more like Coldplay’s Chris Martin with a short-cropped, newly blond haircut.

Click here for a photo slideshow of Matisyahu’s performance.

Aside from his looks, a change was also apparent in musical style: Sunday’s 90-minute set leaned heavily on new material – from his fourth studio album, Spark Seeker, due Tuesday – that emphasized crisp pop hooks more than the entrancing dub forays of his earlier days.

On their own, new tunes such as “Live Like a Warrior” and “Sunshine” sounded somewhat over-manufactured, particularly for old-school fans favoring his heavier, jam-band-inspired feel. Both tunes were sung mostly in a higher range with peppy guitar melodies reminiscent of ’90s rockers like Third Eye Blind – no spirited raps added and only a slight reggae undertone here or there.

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Review: Rancid, Reverend Horton Heat enliven another Hootenanny replay at Oak Canyon Ranch

July 8th, 2012, 6:33 pm by

Scanning the lineup for this year’s edition of the annual Hootenanny – the 18thevent of its kind held at Irvine’s Oak Canyon Ranch – it was slightly difficult to get jazzed. Sure, the bill had lots of great names, but a significant number of repeats from years past roused fears that the fest itself might pan out like a rerun.

Click here for a photo slideshow of Hootenanny fans and performances.

Reverend Horton Heat was on his 11th appearance, Supersuckers their 10th, Three Bad Jacks their sixth … even Foo Fighters guitarist Chris Shiflett has played this bash before, while Jonny “2 Bags” Wickersham, though this time playing solo, country-toned tunes, has been to this location a few times with Social Distortion.

Aside from newcomers the Growlers (pretty humdrum here), Lucero (equally tedious) and the Bouncing Souls (can you say “burnt out”?), there was only the first-time appearance of Rancid, commemorating the band’s 20th anniversary, to provide something fresh.

And that worried me a bit. The last time I saw Rancid – performing a massive, career-spanning set at House of Blues Anaheim in September – the show’s length (more than 30 songs) felt gluttonous and, worse, the performance seemed totally phoned in, frontman Tim Armstrong looking more clean-cut and less convincingly punk than ever before.

So it was much to those Bay Area rockers’ credit that this set resonated powerfully and genuinely, with an unshaven Armstrong – clad in a black tank-top and matching beanie pulled slightly over his defiantly leering eyes – clearly on a mission to reassert the group’s worth.

Read more about Hootenanny 2012 on the Soundcheck Blog.

Take a look at some of the fashion choices at Hootenanny 2012 here.

Photos and article by David Hall, for the Orange County Register.

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Review: Mayhem 2012 ensues with Slipknot, Slayer, Motorhead and more in Devore

July 2nd, 2012, 9:10 am by

Next to last year’s Big 4 bash in Indio – which for the first time in forever on the West Coast pulled together Anthrax, Megadeth, Slayer and Metallica on the same grounds as Coachella – this year’s Rockstar Energy Drink Mayhem Festival lineup is easily one of heavy metal’s most powerful bills to ever land in Southern California.

The touring event’s kickoff at Devore’s San Manuel Amphitheater, including performances from two of those four, Anthrax and Slayer, plus impressive turns from Motörhead, Slipknot and a slew of upstarts – proved as much with more than 10 hours of music, motocross and, of course, mayhem.

Click here for a photo slideshow of Mayhem 2012.

Yet for the first part of the day, that chaos was fairly controlled. Early-bird acts (starting at 1 p.m.) like As I Lay Dying and Asking Alexandria incited some sizable circle pits, though nothing compared to the teeming masses – moshing in what looked like an infinitely expanding radius – that turned out for Anthrax, who headlined the afternoon fare on the smaller Jägermeister stage situated at the top of the venue’s grassy hill.

Only problem with that stage: the vocal volume was never high enough. I could hear high-pitched guitar licks and pounding drums from 200 feet out, but all the words were muffled from my vantage point. One exception: “Antisocial,” an English-sung cover (released on Anthrax’s 1988 album State of Euphoria) originally recorded by French metal band Trust, which rose to thundering volume thanks to thousands of old-school thrash fans eager to relive their glory days.

Though the sound wasn’t impaired at all on the main stage, it ran at a similar throttle to the satellite rundown. The Devil Wears Prada got some impassioned crowd reaction (lead vocalist Mike Hranica has one helluva scream) but the Ohio outfit’s set was so short, its momentum never had time to rile the masses.

Read more on Mayhem 2012 on the Soundcheck Blog.

Article and photos by David Hall, for the Orange County Register.

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Review: Roman Alexander, Jeramiah Red feed off local love at the Mouse House

May 28th, 2012, 11:29 pm by

It was a night that proved the power of local love on Sunday at House of Blues in Anaheim. Fullerton-based rock outfit Roman Alexander & the Robbery headlined a showcase of four Orange County bands, each one building upon the positive vibes of the former to create a truly carefree Memorial Day pre-party.

Click here to see photos of fans and performances.

The fun began with Danny Maika, who – along with a drummer and bassist Chris McCarthy – performed a short but pleasurable set of original tunes that ranged in sound from Jack Johnson to Dave Matthews. Maika’s soulful rasp was a major selling point, but one tune in particular executed on ukulele (accompanied by McCarthy on a rich-toned electric cello) should’ve convinced any naysayers.

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Slideshow: Rammstein blazes through Anaheim

May 18th, 2012, 1:11 pm by

It’s funny: Based on the standard reaction I get from almost everyone to whom I mention German industrial metal band Rammstein – mostly a few rapid chants of the outfit’s lone stateside (kinda) hit, 1997′s “Du Hast” – you’d think the sextet’s popularity petered out before the turn of the millennium.

Click here for a photo slideshow of Rammstein’s performance.

Yet, given the massive American audiences the group has attracted while touring behind the retrospective Made in Germany 1995-2011 – including the diverse throng that turned out for a crushing coup at Honda Center on Thursday, a year after a Forum blast that marked Rammstein’s first Southern California appearance in a decade – it’s clear there’s still plenty of fuel behind this fire.

Fuel and fire were undoubtedly keywords for this Anaheim gig: the band’s vocalist, Till Lindemann, is a licensed pyrotechnics expert, so some sort of explosion or fiery stunt permeated nearly every song on the set list.

Find the full review of Rammstein’s performance on the Soundcheck Blog.

Photos by David Hall, for the Orange County Register.

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Photos: Fans get amped at Paid Dues festival

April 9th, 2012, 1:10 pm by
Psalm One fans pose for a photo at the Paid Dues festival on Saturday in San Bernardino. (Click on the photo to see more)

Psalm One fans pose for a photo at the Paid Dues festival on Saturday in San Bernardino. (Click on the photo to see more)

Click on the image to view the full photo slideshow

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Live review: Fans take part in O.C. homecoming for NYC band Cults at the Observatory

April 4th, 2012, 10:25 pm by

Score another fantastic show for Santa Ana’s recently revamped Observatory – this time from Manhattan-based but Orange County-bred retro-rock duo Cults, whose original booking in the smaller Constellation Room got moved into the venue’s more spacious, 1,000-plus capacity main room to alleviate increased ticket demand.

Thank goodness fans were accommodated; the entire place was nearly filled up as Tuesday’s start time neared. For the band – already on a high because of an overwhelming turnout from friends and family (frontwoman Madeline Follins mentioned that even her grandmother was there) – a few hundred extra happy fans seemed to fortify the gig’s uplifting atmosphere exponentially.

“Remind me later to remind myself … this place is a helluva lot better than L.A.,” said founding guitarist/ keyboardist Brian Oblivion, taking care to mention that his family had a long legacy in this part of O.C.

Yet even without all those genuinely heartfelt and touching asides, the performance was a triumph. Read the rest of this entry »