Encore ~ Entertainment and Nightlife in Orange County

Archive for March, 2012

Review: The Devious Means record release party

March 31st, 2012, 11:53 pm by

Review by Cassie Rossel

An overwhelmingly ecstatic crowd piled into the House of Blues Anaheim on Friday night for the Devious Means’ EP release party. Together with Robert Jon & the Wreck, Midnight Hour, the Silent Comedy and Moonsville Collective, the Devious Means provided fans with a night that was nothing short of exceptional.

Robert Jon & the Wreck was first to hit the stage and managed to start the night off on a pleasantly high note. The audience was left yearning for more once the band finished its set, and Moonsville Collective was there to fulfill the cravings.

The bluegrass-folk act performed throughout the night not on the stage, but rather in the center of the venue’s first floor pit area. With a total of three separate performances, Moonsville Collective was the glue that held the night together. It kept the crowd entertained between Robert Jon & the Wreck, Midnight Hour and the Silent Comedy’s sets with its numerous instruments and a unique flavor that is truly unlike any other band in Southern California.

Rock quintet Midnight Hour’s lead vocalist Brad Lodge fired up the crowd with his particularly high vocal range. A certain flavor comes about in the band’s music due to that voice, which makes it a stand out act among other local bands. Not to mention Lodge’s commandment of a stage, which is slightly reminiscent of Mick Jagger’s legendary stage presence. This cue from the Jagger handbook is clearly something that worked for Lodge and the rest of the band.

Not to be out done, San Diego blues-rock band the Silent Comedy followed with a solid performance that was packed full of energy and liveliness. Lead vocalist and bassist Joshua Zimmerman even dove into the crowd and danced with fans for an entire song while guitarist, keys player and vocalist, Jeremiah Zimmerman took lead. With its anthem-like choruses, the Silent Comedy readied the crowd for the Devious Means coming up next.

The headlining indie rock quintet took over the evening with a plethora of instruments that are rarely seen or used throughout the Orange County music scene. Along with a cover of the Ting Ting’s hit “That’s Not My Name,” the group primarily focused on tracks off its new EP, “Songs We All Are Singing.” Without neglecting the music of its 2011 debut EP, “Presenting The Devious Means,” the rockers managed to give a performance that showed off the many sides that makes up the Devious Means.

Aside from her Adele-like vocal chops, female lead Rachel Anderson showed off her many musical talents on the keys, clarinet and trumpet, and was without a doubt the standout member of the group.

Male lead Christopher Faris did not go unnoticed either. The harmonies compiled by Anderson and Faris hardly lacked beauty, and what was more amazing was the effortlessness both vocalists exuded, a sign of truly seasoned performers.

Without strain, the group managed to wring out dancers and singers all throughout the audience. Although fans did not need much convincing, due to the already joyous and excited energy, they stuck by the group and did not miss out on one moment of the music.

In an unexpected twist, TDM invited a choir to accompany the band for its final two songs of the night. Going out with a bang in its final song, the rock act walked off stage to the sounds of the crowd’s continuous chants: “One more song!”

After several minutes of chanting, the Devious Means gave the crowd a little more than what they wanted and performed an encore that consisted of three songs.

From the upbeat danceable tracks, to the slowed down and intimate songs that flaunted many of the members’ musical abilities, the quintet left a lasting impression on its audience that makes it impossible to forget the name the Devious Means.

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Slideshow: Collaborative World launches their spring line in style

March 30th, 2012, 4:51 pm by

Collaborative World is a clothing company in which half of their profits go to help other local brands. Started by Tyler Carrol and Dave Goodman, CW has blown up in the last few years and done amazing things. Last night they held their launch party at The AOSA Project (a retail store) in Huntington Beach for the release of their new spring/summer line.

They filled the store with friends, family, and fans as well as other local 50-50 brands. Products from Krochet Kids are in the store, as well as 31 Bits, Toms Shoes, and many more.

Every Collaborative World event is a showcase of incredible local music. Last night they featured acoustic sets by the Navacados, Billy and the Bird, and Golden Afternoon.

For more information on Collaborative World and what they do visit their website. 

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Catching up with Mat Kearney before two O.C. gigs next week

March 30th, 2012, 1:30 pm by

(Photo by Mike Coppola/Getty Images)

Songwriters usually choose an observational, stream-of-consciousness or personal approach with their lyrics. Mat Kearney definitely steers toward the latter on Young Love, his third studio effort and first through Universal Republic, which debuted atop the iTunes album chart and landed at No. 4 on the Billboard 200 last summer.

The Eugene, Ore., native, who plays two shows at as many venues in O.C. next week, compares his method to a fact-based filmmaker.

“On this record, I learned that I’m much better writing songs that are more like documentaries than fiction,” said Kearney, 33, in a phone interview from his home in Nashville. “There are really literal, personal stories” derived from family and friends’ lives.

A prime example is the album’s stark, acoustic-based closer, “Rochester,” performed in a manner reminiscent of Bruce Springsteen‘s “Nebraska.”

“Honestly, it’s me doing the best Springsteen impression I have. I wrote it about my father,” a rough man who ran an illegal gambling ring in New York, who escaped an abusive life and struggled to raise three boys. “It’s the most gut-wrenching, redemptive song on there.”

How did Kearney’s parents react?”I got nervous about putting it out because it’s so vulnerable,” he admitted. “When I played it for my mom on acoustic guitar, she started crying and said ‘it’s the most beautiful thing you’ve ever written.’ Then I sent my dad a CD. He listened to it every night while driving home from work and called me in tears.”

Another striking tune, “Down,” concerns the recession and a family’s home foreclosure: “It’s probably the most faith-driven, hopeful and heavy song … it ended up being a beautiful moment on the record.”

Read more about Matt Kearney on the Orange County Register’s Soundcheck Blog.

Mat Kearney plays Tuesday at House of Blues Anaheim (1530 S. Disneyland Drive) and Wednesday at the Coach House in San Juan Capistrano (33157 Camino Capistrano). Tickets are $20 for either venue.

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Slideshow: Max and the Moon CD release party in Santa Ana

March 30th, 2012, 11:10 am by

Last night the local band, Max and The Moon, released their new CD “The Way I See” at The Copper Door in Santa Ana. The bar filled up with friends and fans that came out to not only show support but to enjoy the amazing line up. Random Patterns took the stage around 9 p.m., followed by Escalator Hill at 9:45 p.m., Max and The Moon at 10:30 p.m. and Just Eleanor, which closed the night with an 11:15 p.m. set.

For more upcoming shows and information on Max and The Moon’s new CD visit their facebook. 

Photos by Jenavieve Belair

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Music News: Kelli Skye Fadroski takes a break

March 29th, 2012, 4:59 pm by

Normally I don’t post about myself, but I feel comfortable enough – mostly since my photo is at the top of the Encore Blog – to take a moment to share a few changes happening on the site in the coming weeks.

I will be taking some medical leave and going under the knife to fix my aching back beginning Friday, March 30. I wish I had some great story to share about how I hurt it, but I’ll go with too much moshing, stage diving and being awesome.

Hey, it could very well be true!

In my absence, my very trusted partner in crime Peter Larsen (pictured with me), one of the masterminds behind the Orange County Register’s Pedro and the Watcher Blog and Register pop culture reporter, will be filling in for me. He will be leading the merry crew of OrangeCounty.com staffers as well as posting his own silly observations and well-crafted, Pulitzer-prize winning articles up on the blog.

Register pop music critic Ben Wener will also be stopping by and chipping in as well.

Goodbye cruel world!

Just kidding. See you all in a few weeks.

Photo by Tom Berg, the Orange County Register.

 

Review: Tyga brings the party to the Observatory in Santa Ana

March 29th, 2012, 2:24 pm by

Rising young rapper, Tyga, is probably best known for his most recent club banger, “Rack City” (off his second studio album, Careless World: Rise of the Last King, released last December), but he’s equally notorious for an unruly reputation.

Just last week, MTV.com reported that the rapper and his crew were allegedly involved in a shooting after a show near Omaha, Nebraska, resulting in a bullet grazing the arm of his in-house female guest rapper, 19-year-old Honey Cocaine. A couple of weeks earlier, Mediatakeout.com posted that the 22-year-old rapper was held at gunpoint in Winnepeg, Canada, then forced to dance to his own music, after allegedly mistreating concert promoters at a show earlier that evening. Tyga has since denied the incident in Canada via his official Twitter page.

Click here for a photo a slideshow of Tyga’s performance at the Observatory.

Whether or not all that’s true, those events would certainly help explain why security was so uppity throughout his sold-out performance on Wednesday night the Observatory in Santa Ana. Despite that edgy vibe, the show was a success – probably the most enlivened hip-hop party that this revamped venue has hosted thus far.

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Music News: Gotye tucks in Nokia gig between Coachella fests

March 29th, 2012, 10:43 am by

There’s a late addition to the crowded roster of Coachella acts who have added shows in between next month’s two weekend festivals: Gotye, the Belgian-born but Australian-raised breakout star behind the smash single “Someone That I Used to Know,” will play April 19 at Nokia Theatre in the L.A. Live plaza.

The significant size of that venue (capacity: 7,100) not only speaks to the mounting popularity for the man born Wally De Backer — whose album Making Mirrors is one of the best so far from this still-young year — but also suggests that the artist hardly anyone knew about in January should score either a plum main-stage slot at Coachella or the coveted sunset spot at the Outdoor Theatre.

Bonus: fellow Melbourne singer-songwriter Missy Higgins will open. Tickets, $29.50-$49.50, go on sale Friday, March 30, at 10 a.m. (Gotye will be doing quite a bit of U.S. criss-crossing, too: He plays Saturday Night Live on April 14, then makes his first Indio appearance the next day.)

Catching up on a few others this week: Yacht will play the Glass House on June 15, $12 in advance, $14 day of show, on sale Friday at 10 a.m. … while Revelation Records will celebrate its 25th anniversary on June 7 with Into Another, Ignite, Gameface and more, $25, on sale Saturday at 10 a.m.

Also at the Pomona venue: the Slow Forward‘s record release show for When We Are All, May 19, $10; and Norwegian black metal band 1349, June 18, $17.

And Pitchfork-approved chillwave talent Washed Out (aka Ernest Greene), noted for last year’s album Within and Without, will play May 6 at the Observatory. (What a fine comedown that will be after the madness of April.) Memoryhouse opens. Tickets are $18.

More at the former Galaxy Theatre: the 420 Hangover Festival, on April 21, with Seedless, Pacific Dub, the Simpkin Project, Mike Pinto (acoustic) and several more helping you mellow out any lingering 4/20 highs, $20 … and in the venue’s Constellation Room, hip-hop duo Grieves & Budo, June 1, $13.

Find more music news and reviews on the Orange County Register’s Soundcheck Blog.

Photo by Mark Metcalfe, Getty Images.

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Review: Lady Antebellum comfy, convincing in first headlining Staples Center show

March 28th, 2012, 2:26 pm by

Lady Antebellum is arguably the most successful and certainly the most honored group from a trend I like to think of as the Happy Macs – that ongoing proliferation of co-ed, kinda-country acts who have all the appearances of Fleetwood Mac’s incestuous creativity, and plenty of their harmonic smoothness, but none of the actual inter-band heartbreak and drama.

There are a slew of ’em these days: Sugarland, family outfit the Band Perry, husband-and-wife duos Thompson Square (currently one of Lady A’s opening acts) and Steel Magnolia (though that pair has yet to get hitched), plus that double-dose of wedded bliss, the two couples who comprise Little Big Town. Heck, even the folkier Civil Wars, a male/female duo who are (gasp!) married to other people, still fits the bill.

But Lady Antebellum, which shined brightly Tuesday night at a sold-out Staples Center in its first headlining arena performance in Southern California, is positively the Mac-iest of the Happy Macs in both spirit and sound.

Click here for a photo slideshow of Lady A’s performance at Staples.

They barely sound country; you’d never know they were from Nashville if they didn’t mention. Were it not for Hillary Scott’s high, reedy flourishes, very much akin to Dolly Parton’s or Alison Krauss’ flutters, you’d be hard-pressed to detect the faintest hint of Southern hospitality in their music.

Read more on Lady Antebellum’s performance at Staples Center on the Orange County Register’s Soundcheck Blog.

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Slideshow: Restaurant, Parker Macy Blues turn up the volume at the King’s Inn Tuesday night

March 28th, 2012, 12:30 pm by

The King’s Inn at Memphis Café (located at 2920 Bristol St.) has become an established nightlife and music spot in Costa Mesa. The local bar filled up quickly on Tuesday night with friends and fans that turned out to see Dan-O Fortes Juke Joint Freak Show, Parker Macy Blues and Restaurant perform.

Click here to see a photo slideshow from Tuesday night’s King’s Inn performances.

Along with the great music, the venue served up $5 Jack Daniels’ specials which aided in having local music fans dance and in high spirits well into the wee morning hours.

Photos by Jenavieve Belair, for OrangeCounty.com.

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Orange Pop: The Devious Means release second EP

March 27th, 2012, 7:48 pm by

In late 2009, vocalist/guitarist Christopher Faris, his brother and guitarist Andrew Faris and drummer Jason Mize began laying the groundwork for what would become O.C. indie rock act the Devious Means. Bassist Megan Polendo joined the group after hearing some demos, and quickly following a few other keys players, Rachel Anderson joined in August 2010.

“It was perfect chemistry,” Christopher Faris says during an interview alongside Anderson earlier this week. “Everything just kind of came together.”

Inspired by acts like Yeah Yeah Yeahs, the Dead Weather, the White Stripes and the Cure, the quintet began rehearsing together and by October of that year played its first show. Come March 2011, the band finished its first EP and celebrated with a release party at Bootlegger’s Brewery in Fullerton, packing the venue with more than 400 fans. (“We basically took over their storehouse area,” Faris says.)

Now, just one year later, the Devious Means are preparing for the arrival of their second EP, Songs We Are All Singing, which officially drops Friday at House of Blues Anaheim. For this release party, Faris says the promoters were kind enough to allow the band to completely control of the program.

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